Singapore Fringe Festival 2027

|

Singapore Fringe Festival 2027

We want to hear what artists care about in the world today. Does your idea fight the problem or help people to feel better? Your idea can also be a way to have a different, better future.

We still focus on presenting work that engages socially. That means we are looking for strong artistic processes and accessible forms. They focus on responding to problems faced by communities. They involve working with others to solve issues happening today.

Your work should be one that is creative, exciting, and can engage people socially. These can be presented as a live or digital performance. They can also be events that other people can join in. We welcome proposals that are presented differently. This can allow the disabled and those with low immune systems to join us. This can also encourage actions that are better for the climate, and/or to reduce air travel.

SINGAPORE FRINGE FESTIVAL 2027
13 TO 24 JANUARY
GET INVOLVED

Application Details

Download the Instructions for Applications and the Application Form ︎︎︎.

The deadline for applications is Friday 5 March 2026, noon Singapore time.

For more information, please see Frequently Asked Questions and Financial Responsibilities below.

Singapore Fringe Festival 2026

We want to hear what artists are concerned with in the world today, and how your artistic response is a call to arms, a healing process, or a road map to a different, better future.

We focus on presenting work fuelled by socially engaged practice. We are looking for robust artistic processes and accessible presentations that are centred on responding to gaps in communities, collaborative, and tackling current issues of the day.

Your work should be a contemporary, cutting edge and socially engaged piece that can be presented as a live or digital performance, or a participatory event. We welcome proposals that use alternative models of presentations to include the disabled and immunocompromised, to encourage environmental sustainability, and/or to reduce air travel.

SINGAPORE FRINGE FESTIVAL 2027
13 TO 24 JANUARY
GET INVOLVED

Application Details

Download the Instructions for Applications and the Application Form ︎︎︎.

The deadline for applications is Friday 5 March 2026, noon Singapore time.

For more information, please see Frequently Asked Questions and Financial Responsibilities.

Photo by Angela Kong (@ak_artventures)
Celup by Sofie Buligis (Singapore)


Image Description:
A publicity photo of Celup with Sofie posing in front of a large mural depicting an old map of Kampung Glam. Sofie is a young Malay woman with dark hair in a pixie cut. She wears a brown batik jacket accessorised with gold hoop earrings and red nails. She cradles a black takeaway cup in her hands. Behind her is a large mural depicting an old map of Kampung Glam. Boats are pictured in the sea in the background, while road names and landmarks are in the map’s foreground.


Frequently asked questions

What kind of works does the Festival present?

The Festival focuses on contemporary, cutting-edge and socially engaged performing and live art works.

How can I submit my proposal to the Fringe?

  1. Look through 2026’s Festival line up to get a feel of the Festival.
  2. If you consider your work suitable for the Festival as a contemporary, cutting-edge and socially engaged work, please download Instructions for Applications and complete the Application Form 1.
    • Email us the completed application form and all supporting documents.
    • Deadline: Friday 5 March 2026, noon Singapore time. We will not accept late or incomplete applications.

Why should I participate in the Singapore Fringe Festival?

The Festival is an exciting and inclusive festival of live art. It is known for its strong programming. Through the Festival, we aim to present excellent and bold new works on social issues to the Singapore audience.

The Fringe aims to promote innovation and discussion. It does so through meaningful art, so that we think more deeply about how we are connected in this complex world.

Through the Fringe, you will be able to reach out to new audiences in Singapore and the region. Also, you can tap upon our organisational and production expertise in the presentation of your work. Additionally, you will meet fellow artists from all over the world. This is a wonderful opportunity for networking. It also encourages future collaboration amongst artists.

What is the selection process like?

The Fringe team collates and reviews all the applications that come in. We will inform all applicants of the results of the shortlisting by early June 2026. Selected applicants will then need to provide us with more information on:

  • their funding status,
  • availability,
  • technical requirements, and so on.

Usually, the Festival is programmed for a specific year. However, we may consider your proposal for a future year if we are keen on your work, but cannot include it for the current year.

How can I contact the Festival?

Please email us at info@singaporefringe.com.

Photo by Juha Hanse
Retina Manoeuvre by Wang Ping-Hsiang (Taiwan & Germany)

Image Description:
A production photo of Retina Manoeuvre with a young East Asian man sitting at a table. He has light-tone skin and short dark straight hair. He is wearing black-framed spectacles and a red sweatshirt with blue jeans. He smiles as he speaks into a microphone on a stand angled directly in front of him. The table is cluttered with a sound board and multiple technical equipment and cables. Behind him is a large projection of a day view of a google calendar behind him. The calendar settings are in Chinese, and it shows the date 8th June 2025, with the current time of 2032h with the activity “Retina Maneuver @ Fringify”, which is blocked for 2000 to 2200h.


Financial Responsibilities

Is there an application fee required to submit my proposal?

No, there is no application fee required.

Do I get a fee for my participation at the Festival?

Generally the Festival offers an artist honorarium of SGD 1,000.00 (One thousand Singapore dollars) in total for in-theatre productions with at least two performances. For works in other formats, the honorarium will be revised accordingly.

How many performances am I expected to stage?

The Festival generally programmes two to three performances for works by international artists. For Singapore artists with a home base of fans and audience, we programme up to five performances.

Does the Festival pay for travel costs?

No, artists will be responsible for obtaining funding for all flights and freight. We may also contact the relevant embassies and cultural institutions in Singapore to request for support for confirmed artists.

Does the Festival cover accommodation?

Yes, the Festival covers twin or triple-sharing accommodation for the period from bump in to strike.

Do artists have to sell their own tickets?

No, the Festival will handle all the ticketing administration and expenses. You just have to focus on presenting a good work!

Do artists get a cut of box office sales?

No, the Festival will pay for all venue, ticketing and production costs in presenting your show. Therefore, we will need to recoup our costs.

Do artists have to market their own works?

No, the Festival runs a robust marketing campaign for all events. However artists are required to submit publicity images and information such as synopses and biographies. Of course, artists are highly encouraged to post about their work on their own social media accounts and website too.

Do artists have to pay for the venue rental?

No, the Festival covers the venue rental, on-site manpower costs, and basic technical equipment available in the venue, from the period of bump in to strike. However, artists will be responsible for the rehearsal-related expenses.

Photo by Crispian Chan
A Lesbian Love Story: The Musical by Woody Avenue (Australia, Singapore and United Kingdom)

Image Description:
A publicity photo of A Lesbian Love Story: The Musical. A young Asian woman lies relaxedly in bed, with her hands behind her head and one leg propped up. She is shot from above and is smiling directly at the camera. She is dressed in a colourful outfit, and the pink bed with navy and brown pillows add to the cheerful vibe. She has light-tone skin and dark hair. She wears light makeup, and is dressed in a bright pink shirt with a fuschia top underneath, pale blue jeans, and dusty pink socks. The pillows and a bunched up lilac blanket are strewn under and around her.